I am a fan of Simon Schama: the professor and BBC presenter has his own unique way to talk about art or history (he was the presentor of the «History of Britain» series). So, I was very glad to see him present «The power of Art» a very interesting approach to key works of art of our global civilization. And this because although we have seen multi-volume «history of art» that cover a wide spectrum, for the first time we see a series that focuses on specific works analyzing them in-depth and bringing-up how they developed art as we know it today. The selection is evident: Caravaggio, Bernini, Rembrandt, David, Turner, Van Gogh, Picasso, and Rothko.
Join Simon Schama as he journeys back through the ages to the time in which eight of the most famous works of art were created. It’s a story of intrigue, as many of these iconic works were created in turbulent times, with their artists living through the likes of the Spanish Civil War and the upheaval caused during the revolution in Paris.
Watching Simon Schama’s Power of Art is like taking an Ivy League course in art appreciation, with the folksy but knowledgeable Schama as guide and interpreter. A collection of hour-long films on eight seminal artists and their groundbreaking works, which originally aired on British television, this boxed set is as entertaining as it is enlightening, with Schama doing for Western art what, say, Steve Irwin did for Australian natural history. Eight artists are featured–Caravaggio, Bernini, Rembrandt, David, Turner, Van Gogh, Picasso, and Rothko–and each portrait of the artist weaves biography and historical context to help explain the true power of his works.
The segment on Van Gogh is, as expected, emotional, yet Schama convincingly portrays Van Gogh as not consumed by madness, but fighting off the episodes with painting. Van Gogh painted one of his most evocative works, Wheat Field With Crows, which even his brother, Theo, recognised was about to put his brother on the artistic map. Yet, as Schama points out, within weeks, Van Gogh had killed himself. «Now why would he want to do that?» Schama muses–and then proceeds to narrate the tormented tale of the answer. Along the way, the viewer gains new appreciation for Van Gogh’s signature works, including his famous sunflowers. «Technically, these are still lives,» Schama says, «but there’s nothing still about them… the sunflowers [seem to be] organisms landing violently from a burning sun.» If the reenactments of the artists’ lives are a bit overdone, it’s forgivable, since the cumulative effect, in an hour, is a new appreciation of the work and the man.
Extras include frank and very funny commentaries by Schama and his co-producer, and lots of behind-the-scenes dish on how certain scenes were achieved. The teeming French opera scene in the «David» episode, for instance, was cast using just 20 French extras and then the rest created by CGI–«the scene works better, really, than [the film] King Kong,» Schama says with delight. – A.T. Hurley